ReTurn: 30 Years of Fear No Music

A sampling of images celebrating the 30 year tenure of Fear No Music

A History, in Brief… 

Since its founding, Fear No Music has commissioned or premiered over thirty new works and has given over 150 performances across the United States, with their concerts having been repeatedly singled out as among the best. The group has consistently pushed the limits of chamber music, performing works with taiko, zheng, didgeridu, shakuhachi, theremin, and with electronics and multi-media.  Members have been resident artists at University of Oregon, Willamette University and Brigham Young University, featured artists at the Oregon Music Teachers Association Convention, the Oregon Bach Festival Composers Symposium, and invited performers at Tacoma’s First Night Festival. 

In 1993, the Regional Arts and Culture Commission selected Fear No Music to appear on the compilation CD The Bridge, vol. I, a collection of performances by Portland artists. The group’s additional discography consists of three composer portrait albums, featuring the music of Shaun Naidoo, Jackie T. Gabel, and Bonnie Miksch. 

Among Fear No Music’s accolades are grants from the Aaron Copland Fund for Performing Ensembles, and a Continental Harmony grant sponsored by the American Composers Forum and the National Endowment for the Arts. The group has also received funding from the Oregon Community Foundation, Regional Arts and Culture Commission, Eicholz Foundation, Miller Foundation, Templeton Foundation, Autzen Foundation, Amphion Foundation, and Jack Straw Foundation.

In 1997, Fear No Music founded the Young Composers Project, an innovative program that provides workshops for composers in 6th through 12th grades, and public performances of their works. The project has resulted in many composition winners at state, regional, and national levels., and many professional composers working in a variety of fields.

Early Press Quotes

"...it would be hard to top a concert by a group that lives to its name - Fear No Music...one of the most unusual programs of the year..."

— The Oregonian

 

“music performed with energy, intelligence and technical polish...music the performers cared about”

— Tacoma News Tribune

"...they provide a refuge from conventional rules and a chance to listen with a fresh and youthful ear."

— Willamette Week

 

“Their whole concert showed a playfulness and unpretentiousness, coupled with a passionate commitment to the music, of whatever style, on their program.”

— Seattle Weekly

"eclectic, intelligent taste in programming and a catchy way with a title"

— Seattle Post-Intelligencer

“extraordinary intensity. The performance was fascinating”

— The Oregonian

"they shaped phrases with a feel for the music's language that more famous players at our perennial summer chamber festival have sometimes overlooked entirely"

— Willamette Week

“a fascinating program...well-played, with energy.”

— Seattle Weekly

Founder’s Stories

Fear No Music founders Jeff Payne (piano) and Joel Bluestone (percussion) share meaningful memories about the organization’s history, collected here in 2021-22, during the 30th Anniversary Season…

  • Early Giving

    Back in the early days of Fear No Music, during its third season, several committed fans made substantial gifts of about $500 each to the organization. These generous acts went beyond the scope of individual giving, creating a momentum that propelled many smaller gifts, and ultimately, helped Fear No Music gain community credibility in the eyes of foundations and granting organizations. When Fear No Music applied for and received its first RACC grant, one of the comments that came in from the committee was that Fear No Music's donor list was incredibly impressive for such a young organization! That grant marked a turning point, securing the season for this grassroots non-profit and allowing the founders to envision long-term possibilities.

  • Young Composers Project

    When the Oregon Music Teachers Association (OMTA) invited Jeff Payne to judge a composition competition in 1997, he was struck by the fact that all of the entries were pieces written for piano. Jeff asked a young female composition student who had written a beautiful melody whether she had considered having the line played by a flute or violin. She responded simply by saying she didn’t have a flute or violin, and this was the impetus for a big idea. Jeff talked to Joel and the two of them came up with an idea, for professional musicians to play the music of young composers, and mentor them in the process of composition. The founders pitched the idea to OMTA and their board loved the concept so much, that they partnered financially with Fear No Music to get the program off the ground. And thus the Young Composers Project (YCP) was born.

  • Mission Integrity

    Since the beginning, Fear No Music has been committed to programming music by composers of the Pacific Northwest. In its earlier years, these pieces were spread out throughout the season with at least one piece by a local composer on each program. Over time, that morphed into what has now become an annual celebration dedicated to music of the region: Locally Sourced Sounds. Additionally, the founders leveraged their concert platform to bring about positive social change and to highlight the work of composers who fell outside the traditional cannon. For example, in its early years Fear No Music partnered with the Cascade Aids Project to create a meaningful program, and included an annual concert of works by composers from the Pacific Rim.